To the Land
I love you,
But please,
do not love me,
hate me.
Lei Pu, Shiyu Lei, Nadia Wooten
From a primitive woodland to a wasteland where bonesare piled, to a cemetery where pagans are buried, andtoday it has become a park where people can sit and havelunch, chat, stroll, and even children play, the significanceof Bunhill Field in London is changing What changes arehappening? The moss that is regularly cleaned up in thepark is also an indigenous moss. How will it view changesin its living environment? We tried to use a soundinstallation to present the historical timeline of London'sBunhill Field in a first-person narrative from Moss'sperspective.
Lei Pu,
This project visualizes the information exchange ofmarine organisms and reproduces the internal conflictbetween ocean news and marine ecological realitythrough the interaction between multifrequency imagesand ground projections, implying that marine organismsare always in a passive and silent state in the discussionof marine ecological propositions.
Lei Pu,
This work aims to explore the possibilities of sound and visual scores in the spatial dimension. Through ‘musical sketches’, we translate the space and emotions in the music into abstract visual graphics, hoping to translate the music into the most basic ‘dots, lines, and surfaces’ with the help of graphic and dynamic visual language, and to lead the audience to delve into the world of Ryuichi Sakamoto's music from a visual perspective. This work is not only a tribute to Sakamoto Ryuichi's music, but also a celebration of his work. ASYNC is not only a visual study of Ryuichi Sakamoto's music, but also a tribute to his career.
Graphic Score
P1-4:
-Async
-Energy Flow
-Happy End
-The Sheltering Sky
-Async
-Energy Flow
-Happy End
-The Sheltering Sky
Visual Interpretations of
the Book of Songs
Lei Pu,
Starting from the roots of the Eastern aesthetic consciousness, taking the musicality of the Book of Songs as its starting point, the work translates the texts of the Book of Songs into visual images, exploring the visual readability beyond the texts, while simultaneously delving into how Chinese classics can be disseminated through public art in the digital age, ultimately achieving a superposition of the meanings of ancient poetry and contemporary understanding.
Lei Pu,
In this work, Sydney Turkle's "Intimacy-Narcissism-Loneliness" triangular model is introduced, and the book is divided into three chapters: "Desire for Sharing", "Sense of Presence" and "Digital Parasitism", in an attempt to publish The object form reproduces the "24-hour online self" of contemporary people, thereby expressing the vicious cycle of "the closer you get, the lonelier you get - the lonelier you get, the closer you get". Overly active digital socialization will only plunge us into the abyss of passive loneliness.